1. Everything In Its Right Place
2. Kid A
3. The National Anthem
4. How To Disappear Completely
5. Treefingers
6. Optimistic
7. In Limbo
8. Idioteque
9. Morning Bell
10. Motion Picture Soundtrack Editorial Review
Amazon.com
With every record, Radiohead jump off higher and higher cliffs, daring fans to
take the plunge in their artistic feats of derring-do. The journey from that scratchy
bit of raw guitar angst in "Creep" (from 1993's Pablo
Honey) to any song on Kid A amounts to a high-wire act that few,
if any, bands in popular music have ever attempted. It's hard to believe both
records come from the same planet, much less the same band. Likewise, the grandiose,
Pink Floyd-esque thematic scope of 1997's extraordinary OK
Computer is nowhere to be found here. Quiet, contemplative, and less confrontational,
it opens with a lack of bombast, as "Everything in Its Right Place" builds tension
with ghostly voiceovers, a dry pulse, and a shadowy organ motif. That tension
appears over and over on Kid A. On "How to Disappear Completely," the unsettled,
atonal keyboard waxing in the background offsets the plaintive Thom Yorke vocal,
and on "Idioteque," detached, inorganic rhythms make the melody's despondent aimlessness
that much more nerve-racking. Throughout, Radiohead fearlessly explore dissonance
and structure, melding twisted, Brian Eno-meets-Aphex Twin sonic landscapes with
utter discontent in the world around them. They may sometimes overreach, letting
artsy ambition prevent them from giving us the arena rock-god goodies. But their
commitment to restless creativity also yields pleasures that don't fade but instead
become more resonant upon repeated listenings. If OK Computer was rock's
most relevant expression of millennial angst, Kid A is the opposite; it's
the 21st century's first record that sounds like the future, barely caring what
that Y2K fuss was all about and much more worried about what the hell we're all
supposed to do now. --Matthew Cooke
